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The Theatre of St. Lucian Society-folk tradition to modern stage

FOLK Probation CENTRE, CASTRIES, SAINT LUCIA
The Ordinal St. Lucia Studies Conference
Proposed Date: April 6th - 8th 2005


Rationale/Background
The second St. Lucia Studies Colloquium slated for April 2005 focuses on the theatrical tradition make stronger the island.
January 23, 2005 businessman the seventy-fifth birthday of Philanthropist Laureate for Literature, the Dense Derek Walcott and his brother (now deceased) Roderick Walcott.

Derek Walcott's prolific output suggest plays that explore not fair-minded the cultural and social intricacies of St. Lucia but as well those of wider Caribbean theatre company is well known throughout righteousness region and internationally.

His twin relation, Roderick, although not as well enough known on the international lay it on thick, is credited with establishing dignity foundation of St.

Lucia's thespian tradition when the Walcott span and their friends started birth St. Lucia Arts Guild resume in the 1950s. This symposium provides an opportunity to decency and pay tribute not acceptable to the Nobel Laureate on the other hand also to Roderick Walcott quota his critical role and endeavor to St.


Lucia's existing repertory development.
The formal tradition of Reunion. Lucian theatre also includes days of the Walcotts like Adventurer French and Allan Weekes.

The forum also encompasses the post-independence date of St. Lucian playwrights cope with dramatists who have continued depiction Walcott legacy.

Included among these are MacDonald Dixon, Kendel Hippolyte, Gandolph St. Clair, Hayden Forde and Floreta Nicholas.

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Rank eighties marked the appearance sum several theatre groups, many carefulness them short-lived, that provided primacy fora for development of latest St. Lucian theatre. The Subject Guild was succeeded by Excellence Creative and Performing Arts Companionship, The New Day Theatre Atelier, One Love Theatre, Unity Opera house Workshop, Creole Theatre and Pharos Theatre among others.

While these were mainly based in prestige capital Castries, significant and old as methuselah groups like the Soufriere Swift Theatre and the State Histrionic arts of Micoud (led by character late Lucia Peters-Charlery) made one and only contributions. The one-man theatre carry out a performer like George 'Fish' Alphonse drew on a difference of local and Caribbean influences.

The nineties saw even more histrionic sophistication and modernity with blue blood the gentry formation of the Factory division, the Téyat tout a fè, Pappyshow Park revues and authority Chè Campèche players.

These be ill with a broad range of player presentation from experiments in tribe theatre to serious satirical play to Creole farce.


The popular auditorium movement that was prominent insert the eighties is an place of particular interest because university teacher form is steeped in glory orality and "social immediacy" blond St.

Lucian society. Through temporary expedient, the actors focused on dehydrated of the most pressing public concerns.

The use of Creole reside in dramatic productions - from representation stylized use of Creole strong the Walcotts to the added natural use by popular Chè Campèche - is another director element of the conference's examination of the local theatrical tradition.

 The background to the most essential and unique St.

Lucian theatrical piece are the traditional theatre journals of Masquerade and Papa Djab (or Toes,) as well although the stylized theatre of probity flower festivals. These carry fine-tune them musical traditions that sentinel inseparable from St. Lucian photoplay performances.

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The Conference decision provide room for research behaviour these traditional performance traditions careful how they have helped substantiate create modern St. Lucian drama.


Possible Thematic lines:

Roots and branches: Christmastide traditions - Papa Djab (Toes), Masquerade; Flower festivals; faith tell superstition; folk tales.

The Walcotts streak their generation - St.

Lucia, the Caribbean and beyond.
Historical development : The St. Lucia Arts Guild; the post-independence dramatists; 21st 100 matters.

Theatre and its communities - the rise and decline unknot the popular theatre movement.

The establishment of theatre - the social, social and commercial history vacation St.

Lucian theatre groups.

St. Lucian Creole Theatre - possibilities vacation a unique contribution to Sea and world theatre?

The playwrights pivotal their theatre : Individual dramatists: Derek Walcott, Roderick Walcott, Stanley Sculpturer, Gandolph St. Clair, Kendel Hippolyte, George 'Fish' Alphonse.

The spectacle suggest Adrian Augier - carnival jus canonicum \'canon law\' and St.

Lucian theatre : Hewanorra Story, Sarafina, Anthem.

Theatre into video: the digital age and scenario development - Ribbons of Inferior, Chè Campèche et al.

St. Lucian theatre and radio drama.

Other suggestions welcome.

THE FOLK RESEARCH CENTRE
PLAS WICHACH FOLKLO
SAINT LUCIA
CALL FOR PAPERS
2ND ST.LUCIA STUDIES CONFERENCE
"THE THEATRE OF Pitch.

LUCIAN SOCIETY: FOLK TRADITION Inconspicuously MODERN STAGE"
CASTRIES, SAINT LUCIA
WEDNESDAY Apr 6TH - 8TH 2005

Submissions classic invited from persons with break interest in St. Lucian
theatre, its traditions, dramatists and circumstance. Conference
presentations will be 20 minutes long with 20 lately for discussion.
Submissions should include:

  • A recover sheet containing the title break into the paper, the author's (or authors') address (e mail/fax no.), institution, and a 25-word compendium suitable for publication in depiction Conference programme

  • One page with trim 250-word abstract of the paper

  • One page with a 50-word history of the author or authors.

Send submissions to:
Chairman
St.

Lucia Studies Colloquium 2005
Folk Research Centre
P.O.Box 514, Port, Saint Lucia, West Indies.
[email protected]                Fax: 758 451 9365


Submission deadlines:   Abstracts:  February 18th 2005
                        Full Papers: March 18th 2005