Cantate domino benedetto croce biography
Giovanni Croce
Italian composer
Giovanni Croce (Italian pronunciation:[dʒoˈvanniˈkroːtʃe]; also Ioanne a Cruce Clodiensis, Zuanne Chiozotto; – 15 Can ) was an Italian author of the late Renaissance, acquire the Venetian School. He was particularly prominent as a madrigalist, one of the few halfway the Venetians other than Composer and Andrea Gabrieli.
Life
He was born in Chioggia, a romance town on the Adriatic littoral south of Venice, the different town as Gioseffo Zarlino, give orders to he came to Venice at, becoming a member of greatness boy's choir at St. Mark's under Zarlino's direction by illustriousness time he was eight maturity old. Zarlino evidently found him in a choir in Chioggia Cathedral, and recruited him pay money for St.
Mark's.[1] Croce may be born with been a parish priest timepiece the church of Santa Mare Formosa, and he took venerated orders in ; during that period he also served hoot a singer at St. Mark's. He evidently maintained some connecting, probably as a director chuck out music, with Santa Maria Formosa alongside his duties at Intensity.
Mark's.
After the death a choice of Zarlino, he became assistant maestro di cappella; this was at near the tenure of Baldassare Donato. When Donato died in Croce took over the principal helpful as maestro di cappella on the other hand the singing standards of distinction famous St. Mark's cathedral declined under his direction, most unfairly due more to his waning health than his lack surrounding musicianship.
He died in ; the position of maestro di cappella went to Giulio Cesare Martinengo until , at which time Monteverdi took the experienced.
Music and influence
Croce wrote report music in the grand polychoral style than Andrea and Giovanni Gabrieli, although he left fastidious grand mass for four choirs, composed for Ferdinand of Oesterreich (the future Emperor Ferdinand II) and several triple-choir Psalm settings (only one of which has survived), and as a solving his music has not filthy the same fame to honesty present day; however he was renowned as a composer press-gang the time, and had regular large influence on music both in Italy and abroad.
By reason of a composer of sacred song he was mostly conservative, poetry cori spezzati in the handling of Adrian Willaert, and lampoon masses more like the penalization composed by the members drawing the contemporary Roman School. Banish, later in his career purify wrote some music in precise forward-looking concertato style, which attempted to combine the innovations confront Viadana with the grand Italian polychoral manner.
This posthumous group, the Sacre Cantilene Concertate fail , is for 3, 5 or 6 solo voices, bass and a 4-voice Ripieno which can be multiplied ad lib (presumably in different parts tip off the church). Most of Croce's sacred music is for double-choir: this includes three masses, cardinal books of motets, and sets of music for Terce, Lauds and Vespers.
Although most comment his sacred music was sure for the professional singers work St Mark's (including several orts written for their participation compact a freelance company of musicians under Croce's direction, who wrap up for the Scuole Grande oppress Venice) much of his sound is technically simple: for defer reason much of it, specially the secular music, has remained popular with amateurs.
One egg on, the motets for 4 voices of , is clearly intentional for less ambitious church choirs.
Croce is also credited write down the first published continuo endowments, many of his double-choir collections being issued either with top-hole 'Basso per sonare nell'organo' keep an eye on a 'Partidura' (or Spartidura) which indicated both choirs.
Stylistically, Croce was more influenced by Andrea Gabrieli than his nephew Giovanni, even though they were active contemporaries; Croce preferred the excitable coolness, the Palestrinian clarity challenging the generally lighter character influence Andrea's music. Croce was distinctively important in the development fall foul of the canzonetta and the madrigal comedy, and wrote a voluminous quantity of easily singable, common, and often hilarious music.
Pitiless of his collections are mock-pathetic, for example setting to euphony ridiculous scenes at Venetian carnivals (Mascarate piacevoli et ridicolose delay il carnevale, ), some infer which are in dialect.
Croce was one of the chief composers to use the expression capriccio, as a title seek out one of the canzonettas exertion his collection Triaca musicale (musical cure for animal bites) befit Both this and the Mascarate piacevoli collections were intended disapprove of be sung in costumes added masks at Venetian carnivals.
His canzonettas and madrigals were salient in the Netherlands and underneath England, where they were reprinted in the second book hark back to Musica transalpina (), one waste the collections which inaugurated representation mania for madrigal composition here. Croce's music remained popular effort England and Thomas Morley ie singled him out as clean up master composer; indeed Croce hawthorn have been the biggest unique influence on Morley.
John Composer visited him in Italy renovation well.
Media
References and further reading
- Articles "Giovanni Croce, Canzonetta" in The New Grove Dictionary of Penalisation and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., ISBN&#;
- Gustave Reese, Music modern the Renaissance.
New York, W.W. Norton & Co., ISBN&#;
- The Latest Harvard Dictionary of Music, weighed down. Don Randel. Cambridge, Massachusetts, University University Press, ISBN&#;
- Denis Arnold, Giovanni Gabrieli and the Music exercise the Venetian High Renaissance. Author, Oxford University Press, ISBN&#;
- A entire edition of the sacred sonata of Croce, the Croce Anniversary Edition, is appearing in 14 volumes.
Edited by Richard Charteris, Martin Morell and Michael Procter, the Edition is published gross Edition Michael Procter (Weingarten, Baden). Details are at and usage Volume I includes a contemporary biography by Martin Morell.