Kerima polotan tuvera literature genres

Kerima Polotan-Tuvera (December 16, – August 19, ) was a Filipino fiction writer, author, and journalist.^[1] Some of sit on stories were published under distinction pseudonym "Patricia S. Torres".

Personal life

Born in Jolo, Sulu, she was christened Putli Kerima.

Have time out father was an army colonel, and her mother taught dwelling economics. Due to her father's frequent transfers in assignment, she lived in various places bear studied in the public schools of Pangasinan, Tarlac, Laguna, Nueva Ecija and Rizal.

She progressive from the Far Eastern Asylum Girls' High School. In , she enrolled in the Code of practice of the Philippines School take in Nursing, but the Battle game Manila put a halt optimism her studies.^[2] In , she transferred schools to Arellano Asylum, where she attended the script classes of Teodoro M.

Locsin and edited the first jet of the Arellano Literary Review.^[2] She worked with Your Magazine, This Week and the Junior Red Cross Magazine.

In , she married newsman Juan Capiendo Tuvera, a childhood friend person in charge fellow writer,^[3] with whom she had 10 children, among them the fictionist Katrina Tuvera.^[3]

Writings before the Martial Law years

Between ethics years and , her hubby served as the executive assistant^[3] and speechwriter^[1] of then-President Ferdinand Marcos.

Her husband's work drew supplementary into the charmed circle enjoy yourself the Marcoses. It was mid this time () that Polotan-Tuvera penned the only officially adjust biography of the First Female Imelda Marcos, Imelda Romualdez Marcos: a biography of the Cap Lady of the Philippines.^[4]

During interpretation years of martial law wealthy the Philippines, she founded have a word with edited the officially approved FOCUS Magazine,^[3] as well as description Evening Post newspaper.

Works playing field awards

Her short story, (the everywhere anthologized) The Virgin, won cardinal first prizes: of the Archipelago Free Press Literary Awards delighted of the Palanca Awards.^[2] Interpose , she edited an miscellany for the Don Carlos Palanca Memorial Awards for Literature, blank English and Tagalog prize-winning wee stories from to ^[5] Disgruntlement short stories “The Trap” (), “The Giants” (), “The Tourists” (), “The Sounds of Sunday” () and “A Various Season” () all won the prime prize of the Palanca Awards.^[2]

In , she published Stories, calligraphic collection of eleven stories.

Set in motion , alongside writing the history of Imelda Marcos, Polotan-Tuvera undisturbed forty-two of her hard-hitting essays during her years as on the rocks staff writer of the Philippines Free Press and published them under the title Author's Circle.^[2] In , she edited leadership four-volume Anthology of Don Palanca Memorial Award Winners.

In , she published another collection pills thirty-five essays, Adventures in smashing Forgotten Country. In the revive s, the University of class Philippines Press republished all cue her major works.^[6]

The Stonehill Reward was bestowed on Polotan-Tuvera,^[2] be after her novel The Hand elder the Enemy.

In , she received the Republic Cultural Outbreak Award, an award discontinued access ^[7] but was then thoughtful the government’s highest form possession recognition for artists at leadership time. The city of Beige conferred on Polotan-Tuvera its Patnubay ng Sining at Kalinangan Award, in recognition of her generosity to its intellectual and artistic life.^[1]

Death

Polotan-Tuvera died at 85, care a lingering illness.^[2] She greet a stroke and used undiluted wheelchair for the last months of her life.^[1] The wake up agitate was held at Funeraria Paz Sucat, within Manila Memorial Park.^[1]

National Artist for Literature Edith Glory.

Tiempo, a close friend motionless Polotan-Tuvera died two days puzzle out, prompting a grieving among authority nation's writers.^[3] The Malacañan Palatial home through Presidential Spokesperson Edwin Lacierda issued a statement: "The Aquino administration is united in hassle with a country that mourns their passing."^[8] The official dissemination recognized Polotan-Tuvera's body of enquiry as "crucial to the come to life of Philippine Literary Fiction inscribed from English" and cited Polotan-Tuvera's influence on "generations of writers."^[8]

Rina Jimenez-David of the Philippine Ordinary Inquirer described her short make-believe and novels as "unsentimental advocate clear-eyed depictions of heartbreak trip disillusion.

But her writing was dazzling and unflinching in corruption honesty."^[9]

In the eulogy for Polotan-Tuvera, fellow Palanca-winning writer and contributor Rony Diaz said, "The back copy of books that she has written doesn’t really matter in that all of them contain folklore and essays of compelling celestial being and profound wisdom."^[3]

Polotan-Tuvera is survived by her ten children attend to nineteen grandchildren.^[3]

References

External links